Tim Myers is a terrific writer, teacher and storyteller. I was a huge fan of his best-selling book Basho and the Fox for many years before I met him in person. When I did, I discovered we had much in common, including the fact that we both write in multiple genres, and I became as much a fan of the person as I am of the writer (when you read this interview, you'll understand why). In addition to being an award-winning short story writer, songwriter and poet, Tim is the author of eleven picture books, including If You Give a T-Rex a Bone, Looking for Luna, Basho and the River Stones, The Out-Foxed Fox, and Dark-Sparkle Tea, and he has another four picture books in the works. He has recently published a new book of poetry, a new picture book, and a non-fiction e-book, Glad to Be Dad: A Call to Fatherhood, which won the inaugural Ben Franklin Digital Award from the Independent Book Publishers Association. He graciously agreed to visit the blog this month to talk about his many paths to publication.
Dashka: Tell me a little about your latest picture book.
Tim: My latest children's book is Down at the Dino Wash Deluxe, from Sterling. My children and I played endlessly with dinosaur figures. But my sons also especially loved vehicles--I sometimes wonder if the young mind makes any meaningful distinction between dinosaurs and large trucks or construction equipment. So I wanted to combine the two, and got the rather shrewd idea of a giant car wash that caters to city dinosaurs. (If dinos still existed, I might be a billionaire).
And how awesome is this? I just found a "Three Boys and a Dog" blog post where the wonderful mom-blogger not only read the book to her kids but baked chocolaty dirt onto their dino-figures so they could play Dino Wash Deluxe in the yard!
Dashka: I love how creative mom-bloggers are. And now you've entered the parenting blog world yourself, while also publishing a book of poetry.
Tim: I recently published Glad to Be Dad: A Call to Fatherhood which made #5 on Amazon's "Hot New Releases in Fatherhood" list, was featured on the Parents Magazine site, quoted on Disney's BabyZone site, won the Ben Franklin Digital Award, and has gotten excellent reviews. One of the chapters is appearing in "Motherlode," The New York Times parenting blog. I also recently published Dear Beast Loveliness: Poems of the Body which got a great review from the nationally-known poet Grace Cavalieri.
Dashka: You made different publication choices with each book – Glad to Be Dad is an e-book, Down at the Dino Wash Deluxe came from Sterling Children's, which is a subsidiary of Barnes and Noble, and Dear Beast Loveliness comes from BlazeVOX which calls itself "an independent publisher of weird little books." Why did you go the route you went for each?
Tim: I wish I was in the position to pick and choose which publishers I work with. I don't mean that I ignore such choices, but I've found that my work is too varied to be submitted to only certain publishers. So I do a good amount of research and submit work to all kinds of different houses. (And get rejected all the time). My primary goal is to make good books and connect with readers. And a writer really can't predict whether a book will be a commercial success or not, or whether a particular publisher can make that happen. Again, I'm not crazy--I'm delighted if a big, high-status publisher will take on a book of mine! But my heart pretty much burns 24 hours a day for art, so I follow any route that will ease that wonderful, joyous burning.
Dashka: And you haven't been afraid to plunge into the digital deep end. Has publishing changed a lot in the course of your career?
Tim: Anyone can see what an absolute tsunami the digital revolution has been for human culture. And of course huge particular changes have come to the book industry too. Years ago, before I'd even published anything, I'd get long, thoughtful letters back from publishers at major houses about the manuscript they were passing on. That doesn't happen now (though my experience with editors at major houses has made me tremendously impressed with them). And the push to self-promote has also changed the landscape almost beyond recognition. People say it all the time: new opportunities, new challenges. Part of my response to that has been--I'll put this in Wall Street terms, so it'll sound intelligent instead of desperate--to diversify.
Dashka: It's great to diversify -- and you're a pretty diversely-talented guy anyway. Even so, it can be hard to keep all the balls in the air. Do you find it challenging to write and publish in multiple genres?
Tim: I find it beyond exhilarating to write in different genres, and since I'm also a storyteller and a song-writer, this kind of variety is mother's milk to me. In fact, I know I could never specialize; I'm a generalist in a specialist's world. And there are real disadvantages, career disadvantages, to being a generalist. But as I always say--What's life for? To satisfy my soul with art--that's what I'm after. Holy cats--if I wanted money and fame, there are a lot smarter ways to go about it!
Dashka: I sometimes hear people say that writing in multiple genres dilutes your "brand" as an author – an accusation I'm sensitive to, since I also write fiction, non-fiction, poetry and children's books. What do you think about the idea that we need to brand ourselves as writers?
Tim: I understand the point about branding, but I think the idea is often over-applied, and if not fully understood it can actually be dangerous if you're committed to art. I have a piece coming out in the SCBWI Bulletin that goes into detail on my thoughts about branding.
Dashka: Oh, I'm looking forward to reading that! Hopefully you'll reassure me. Now tell me what it's been like to publish and promote a digital book? What did you know or think you knew about digital publishing beforehand? Did the experience change your feelings about e-books?
Tim: I really didn't know much at all, though of course I kept my head up and paid attention. But I got very lucky when Christopher Robbins, the publisher at a new and digitally-savvy niche publisher called Familius, took my Glad to Be Dad. Christopher is a veteran, and he taught me so much, and encouraged me as I learned on my own. I'm very grateful to him. I'd known for a long time that I had to get more involved in marketing and promotion, and he gave me the opportunity to do that in a big way. It was a watershed moment for me. Of course this also has its costs; time spent on promo is time not spent writing. But my hope is that some careful, constantly-tweaked combination of the two can help writers both write their best and connect with others as much as possible.
Dashka: Many people say that it's a great time to be a writer, because there are so many publishing options. But it can be overwhelming, too. Any advice for writers who are trying to figure out how best to publish their books? Anything you wish someone had told you along the way?
Tim: Overwhelming--yes! It's like when you go to the store to buy mustard, look at the 900 varieties on the shelves, and realize you'll need a graduate seminar in order to make a choice. The thing is, though--well, I find a couple of principles very helpful here. First--it looks worse than it is. I don't mean to minimize it; the world of creative production is in something like an uproar right now--look at the music industry. I find myself thinking a lot these days about the Oklahoma Land Rush. My point, though, is that it looks more intimidating from a distance. Have faith in your ability to learn and adjust, then get in there and do it. And besides--some of the fundamental realities will never change; the basic relationships between writers, gate-keepers, editors, and readers tend to stay the same. To make my point even more specific: Don't freak out. Don't get me wrong; I've done my share of worrying about all the change. But that anxiety was mostly just wasted energy.
Second--and this is closely related--it's like when you're playing basketball. Say you steal a pass and break for the basket, and you've got a couple of people to go around before you can lay it in. The thing is, you've got to give it all you've got--but you've also got to stay relaxed. This is a paradox, but a true one. Staying relaxed means you can keep your head and react as conditions change. And that's really important in the shifting world we find ourselves in today. But the main thing is--it's ALWAYS a great time to be a writer, whatever's going on in the world! It gets harder, it gets easier, you get a door slammed here, you get a break there. But you get to write!
Dashka: Thanks for that reminder. Sometimes we all get so caught up in the push to publish and promote that we forget why it is we do what we do in the first place! And thanks for stopping by Start at the Beginning!